Danielpour/Kirchner/Rouse

Danielpour/Kirchner/Rouse

This disc is a monument to the power of private patronage in America. Two of the concertos were commissioned for Ma by rich individuals, the third by a couple who wanted to commemorate their fortieth wedding anniversary. Could this be why none of the music has any edge to it? Throughout one gets a sense of edges softened in plush, like the rooms at concert venues set aside for corporate patrons. The sound is ingratiatingly rich, and hardly a chord is without a trimming of vibraphone and tubular bells.

Our rating

4

Exclusive US Offer - try a BBC Music Magazine subscription and get your first 3 issues for only $12.99 PLUS delivery from the UK!
Published: January 20, 2012 at 2:38 pm

COMPOSERS: Danielpour/Kirchner/Rouse
LABELS: Sony
WORKS: Cello Concerto; Music for Cello and Orchestra; Cello Concerto
PERFORMER: Yo-Yo Ma (cello)Philadelphia Orchestra/David Zinman
CATALOGUE NO: SK 66299

This disc is a monument to the power of private patronage in America. Two of the concertos were commissioned for Ma by rich individuals, the third by a couple who wanted to commemorate their fortieth wedding anniversary. Could this be why none of the music has any edge to it? Throughout one gets a sense of edges softened in plush, like the rooms at concert venues set aside for corporate patrons. The sound is ingratiatingly rich, and hardly a chord is without a trimming of vibraphone and tubular bells. Much of the music is in that sentimental-brutal style popularised over here by James MacMillan, with crashingly obvious musical symbolism: for example, in the Rouse we hear a sugar-sweet chorale drowned by a sudden percussive clang to indicate the remorseless power of death. The Danielpour ends in a similar vein, though the music is much better written. The Kirchner is easily the best of the bunch – it is concise in its sumptuousness and the harmony sounds coherent, in spite of a disconcerting way of evoking Wagner at one moment and Takemitsu the next. Overall I was left with an impression of vast resources and great performing talent – particularly from Yo-Yo Ma, who plays his heart out – squandered on mediocre music. Ivan Hewett





Sidebar Image

Exclusive U.S. Offer

Try a BBC Music Magazine subscription and get free delivery from the UK!

Subscribe Now!
Receive our weekly newsletter, packed with features, news and reviews
By entering your details, you are agreeing to Classical Music terms and conditions. You can unsubscribe at any time.

Exclusive U.S. Offer

Try a BBC Music Magazine subscription and get free delivery from the UK!

This website is owned and published by Our Media Ltd. www.ourmedia.co.uk
© Our Media 2025