‘Dumay and Lortie’s approach to the G major Sonata is particularly mesmerizing. Capturing the essence of the first movement is notoriously problematic in that Throughout the first movement both artists’ instinctive approach to rubato enables the musical argument to flow seamlessly between passages of high intensity and those of melancholy introversion.’ Erik Levi
Brahms
Violin Sonatas 1-3; Scherzo from FAE Sonata
Augustin Dumay (violin), Louis Lortie (piano)
Onyx ONYX 4133
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