Best of Vivaldi: seven great gateways into the brilliant Baroque composer

Best of Vivaldi: seven great gateways into the brilliant Baroque composer

We name seven of the greatest pieces by that melodious Baroque genius, Antonio Lucio Vivaldi

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Published: January 28, 2025 at 6:19 pm

Antonio Lucio Vivaldi - the Venetian composer, virtuoso violinist, teacher and one-time catholic priest - is one of the defining figures of Baroque music.

Nicknamed Il Prete Rosso, or ‘The Red Priest’, thanks to his brilliant red hair, Vivaldi was ordained at the age of 25, and almost immediately began work as a violin teacher at the Ospedale della Pietà, an orphanage for girls in Venice with a strong musical tradition. The young Vivaldi trained the girls’ orchestra and composed numerous works for them, including operas, concertos, and sacred music.

Antonio Vivaldi
A different view of Vivaldi. Pic: Roger Viollet Collection/Getty Images - Roger Viollet Collection/Getty Images

This period saw Vivaldi’s prolific output and experimentation with forms and textures. He's perhaps best known for his innovations in the concerto form: Vivaldi wrote more than 500 concertos, refining the fast-slow-fast three-movement structure that from then on became the standard. His compositions often featured rhythmic vitality, bold contrasts, and virtuosic solos. Indeed, you can argue that it was under Vivaldi that the soloist truly came into their own.

His music was influential across Europe during his lifetime, and Vivaldi pursued royal patronage from Emperor Charles VI of Vienna. However, he eventually died in poverty in a house owned by the widow of a Viennese saddle maker and was buried in a pauper's grave.

Here are seven of Vivaldi's most compelling works.

Best of Vivaldi: The Four Seasons and beyond

    The Four Seasons

    Written during his time as maestro di cappella at the court of Prince Philip of Hesse-Darmstadt, governor of Mantua, and now a staple of the concert repertoire worldwide, Vivaldi’s seminal collection of four violin concertos was revolutionary for its programmatic depiction of the seasons.

    Vivaldi depicts a wide variety of scenes and sounds, from birdsong to rustic dances. 'Each concerto captures the feel of that particular season so well,' says violinist Ray Chen. 'It's such a famous and approachable piece in the repertoire. It has showing-off virtuosity for the violinist, which was quite forward-thinking. That alone has allowed the Four Seasons to withstand the test of time.'

    Nisi Dominus

    Vivaldi's first setting of Psalm 127 for solo voice and strings is an often overlooked gem from his huge sacred output. Verse IV, ‘Cum dederit’, is especially suspenseful thanks to its use of hushed, static string writing, with long, melismatic vocal lines.

    Violin Concerto in E flat major

    It is easy to forget, with the continuing popularity of The Four Seasons, that Vivaldi wrote hundreds more concertos for violin, some of which contain wonderful musical invention and programmatic writing to rival his most popular work.

    The Violin Concerto in E flat major, otherwise known as ‘La tempesta di mare’ (The Sea Storm), for instance, captures the crashing waves and thundering skies of its title with a driving continuo part.

    Gloria in D major, RV 589

    Vivaldi wrote three choral settings of the Gloria, although only two of them survive. It's the D major RV 589, from around 1715, that's best known today. Rediscovered in the 20th century, along with much of the Baroque composer's sacred music, it's Vivaldi’s most popular sacred piece, dramatic, uplifting and joyful.

    Composed during his tenure at the Ospedale della Pietà in Venice, this masterpiece is a brilliant example of Vivaldi’s skill in both the choral and orchestral composition arenas. It alternates between exuberant choral sections, delicate solo arias, and reflective moments, providing plenty of dynamic and emotional range. What's more, Vivaldi's use of oboe, strings, and continuo creates a rich, textured sound. And its many sophisticated features, such as melismatic passages, sequences, and counterpoint, all showcase Vivaldi’s total mastery of the Baroque style.

    O qui coeli terraeque serenitas, RV 631

    Probably composed during Vivaldi’s travels through Rome, this work is one of only three surviving solo motets by the composer. The Latin text is a prayer ‘for the deliverance of the believer from earthly delights and for the espousal of heavenly ones’.

    It's another vividly written work. Listen, for instance, to the second aria ‘Rosa quae moritur' in C minor, with a descending lamento bass that represents the wilting of a rose.

      Trio Sonata in C major, RV 82

      This trio sonata, written for violin, lute and continuo, is an eloquent, simple expression of joy, and perhaps an antidote to the sometimes overwhelming complexity of Baroque music. The second movement is particularly serene, with a lilting violin line.

      Often, the violin part of the sonata is replaced by a mandolin. Vivaldi was fond of this instrument, much neglected today in classical music, which here adds a radiant quality.

        L'Estro Armonico, Op. 3

        Meaning 'The Harmonic Inspiration', this groundbreaking collection of 12 concertos revolutionized the concerto form. Its influence extended across Europe, inspiring a raft of composers including the great Johann Sebastian Bach.

        The 12 concertos are all composed for either one, two, or four violins, plus string accompaniment. This groundbreaking set not only solidified Vivaldi’s reputation as a composer but also had a profound influence on the development of Baroque music across Europe.

        Words by Will Thomson.

        Read reviews of the latest Vivaldi recordings

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