Published in 1725 as part of Vivaldi’s Op. 8, The Four Seasons (Le quattro stagioni), transports listeners through the turning of the year. Each divided into three movements, these four concertos portray the drama (or peace) and scenes of spring, summer, autumn and winter in a pastoral setting. To help set these scenes, sonnets (possibly composed by Vivaldi himself) serve as a preface for each concerto, introducing and reflecting the music that unfolds.
We named the Vivaldi Four Seasons as one of the best pieces of violin music ever, as well as one of the greatest violin concertos of all time (in this case, a set of four violin concertos, but you get the point).
All four concertos are widely familiar today and regularly appear in popular culture, from films and TV to choreographed sport such as ice skating. Unsurprisingly, there is no shortage of recordings. In chronological order, here are our recommendations of the freshest interpretations and pioneering performances.
The best recordings of the Vivaldi Four Seasons
Iona Brown (violin), Academy of St Martin in the Fields/Neville Marriner Philips 9500 7 17 (1979)
Iona Brown joined the Academy of St Martin in the Fields in 1964. Over the next decade, she would work her way to the top of the orchestra, reaching principal soloist and director by 1974. Though she left the orchestra in 1980, just a year after this recording was released, she continued collaborating with them. Her Four Seasons is arguably her finest achievement on disc.
Often thought of as the first definitive recording of Vivaldi’s The Four Seasons, Iona Brown and the Academy of St Martin in the Fields display an exceptional lightness of touch throughout that makes the performance compelling yet easy to listen to. This is not to say that it lacks drama – far from it, in fact, as Brown and Marriner expertly capture the dynamic highs and lows of each season.
Rachel Podger (violin); Brecon Baroque Channel Classics CCS SA 40318 (2018)
Like Jansen, Rachel Podger’s Four Seasons recording is an intimate experience, with single string accompaniment from Brecon Baroque. Despite its size, the chamber ensemble achieves a rich, weighty sound that converses beautifully with Podger’s light, airy solo lines. This recording is evocative and colourful, embodying Vivaldi’s music on its own terms.
- Rachel Podger won Recording of the Year at the 2023 BBC Music Magazine Awards
‘Part of the freshness stems from the interaction between Podger and her one-to-a-part ensemble. Indeed, whether in Spring’s multi-beaked violin twitterings or the viola barking of the slow movement’s dog, it’s striking just how many soloistic opportunities Vivaldi offers the ensemble,’wrote Paul Riley.
Read our full review of this recording
Nigel Kennedy (violin), English Chamber Orchestra Warner Classics 5562532 (1989)
It should come as no surprise that Nigel Kennedy’s record-breaking disc makes this list. Released in 1989, Kennedy’s recording of Vivaldi’s The Four Seasons spent nearly two years at the top of the UK classical album chart and sold over 2 million copies, making it the best-selling classical recording at the time.
We named Nigel Kennedy one of best rule-breaking musicians.
Essential listening for all Vivaldi enthusiasts, few recordings display the same level of vivacity as this collaboration between Kennedy and the English Chamber Orchestra – the matchless energy of their full-throttle performance doesn’t mean lack of precision, however. Kennedy has since released The New Four Seasons (2015), a modern interpretation of the concertos, infused with jazz as well as the violinist’s love for Jimi Hendrix.
Janine Jansen, Candida Thompson, Henk Rubingh (violin), Julian Rachlin (viola) et al Decca 475 6188 (2004)
Dutch violinist Janine Jansen offers an intimate Four Seasons performance, reducing a traditional orchestra accompaniment down to single instruments. This chamber-sized ensemble, including Jansen’s brother and father on cello and harpsichord respectively, is expressive and soloistic in its own right while still allowing Jansen to shine as the work’s star.
‘Jansen possesses the ideal combination of intonational purity and tonal allure,’ wrote BBC Music Magazine’s reviewer Julian Haylock, ‘and is beguilingly responsive to the music’s shifting moods, creating the uncanny impression of a series of vividly drawn characters passing before our eyes as we listen.’
Read our full review of this recording
La Serenissima/Adrian Chandler (violin) Avie Records AV 2344 (2015)
Standing out from the ocean of Vivaldi Four Seasons recordings is a challenge, but Adrian Chandler brings originality to the table by creating his own new edition of the concertos from Vivaldi’s rare surviving source material. Performing with period instrument ensemble, La Serenissima, Chandler milks his authority as soloist and director with delightful, dramatic rubato and with precision second only to Nigel Kennedy.
‘The resulting freshness incinerates the cobwebs of familiarity in the heat of La Serenissima’s proselytising zeal,’ wrote BBC Music Magazine’s Paul Riley. ‘This fresh approach grows out of the work itself, and as a period instrument ensemble La Serenissima fully understands what an imaginative continuo section can bring to the table.’
Read our full review of this recording
And... three leftfield recordings of the Vivaldi Four Seasons
Recomposed by Max Richter: Vivaldi The Four Seasons
Daniel Hope (violin), Konzerthaus Kammerorchester Berlin/André de Ridder DG 4792777 (2014)
Despite discarding ‘three quarters’ of the music, this recomposed Four Seasons by leading ambient and post-classical composer Max Richter retains the shape, texture and dynamics of Vivaldi, looping the concertos’ most famous moments to meet Richter’s minimalist composition style. The result is fresh and exciting but crucially still recognisable as Vivaldi’s work.
A Violin for All Seasons
Tasmin Little (violin), Graham Bradshaw (Tibetan singing bowl), David Wright (harpsichord), BBC Symphony Orchestra Chandos CHSA5175 (2016)
Violinist Tasmin Little’s vibrant recording of the Vivaldi Four Seasons is accompanied on disc by British composer Roxanna Panufnik’s Four World Seasons, a piece written specially for her. Panufnik transports listeners through space as well as time in a work that is divided into four movements: ‘Autumn in Albania’, ‘Tibetan Winter’, ‘Spring in Japan’ and ‘Indian Summer’, and includes the use of a Tibetan singing bowl.
Vanessa-Mae: Storm
For her 1997 album Storm, British violinist Vanessa-Mae delivered us a techno-fuelled interpretation on the Presto movement from the Four Seasons's Summer. Distorted guitars and driving beats - this was Vivaldi in a whole different soundworld, and (spoiler alert) won't be to everyone's taste. Enough people did like it, though, as Storm spent five weeks in the UK album charts, an impressive feat for a classical music album.
Read more reviews of the latest Vivaldi recordings
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