George Gershwin blurred the lines between classical music and jazz like no one else, crafting tunes that swing, soar, and stick with you.
From smoky concert halls to Broadway stages, Gershwin's music defined an era and still feels fresh today. But with so many hits, where do you start? We’ve rounded up six of Gershwin’s greatest works—the boldest, most beautiful, and downright unforgettable pieces from a composer who rewrote the rules with style.
Best of Gershwin: seven magical works
1. Rhapsody in Blue (1924)
Film lovers may recognise this work, for solo piano and jazz band, from its appearance in Baz Luhrmann’s The Great Gatsby. The piece plays as Gatsby – portrayed by Leonardo DiCaprio – raises his glass when introducing himself to Nick Carraway – portrayed by Tobey Maguire.
Rhapsody in Blue was originally titled American Rhapsody, but changed after Gershwin's brother and songwriting partner Ira was inspired by a painting titled ‘Nocturne In Blue and Green’. From this, Ira suggested a change of name to include ‘Blue’. Musicians who play this composition perform both as soloists and collectively with the orchestra. Alternating between soloists and full orchestral playing, this jazz-inspired symphony demonstrates the elegance and power of an orchestra.
2. ‘Oh Lady, Be Good’ (1924)
Since its creation for the 1924 musical Lady, Be Good!, this delightful number has been recorded multiple times by artists including Fred Astaire, Ella Fitzgerald and Dianne Reeves. Because of its multiple reproductions it entered the popular music genre. ‘Oh Lady, Be Good!’ is sang in the 1941 eponymous film, yet the film and musical are unrelated in plot, characters and cast. The vocals on ‘Oh Lady, Be Good’ are accompanied with only a piano, making a clean and simple sound.
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3. Lullaby for String Quartet (1919)
Gershwin wrote this piece as a student in 1919. It was initially written for piano, but consequently adapted for strings as part of an assignment, from Gershwin’s orchestration teacher, Edward Kilenyi. ‘Lullaby’ – which it is also known by – is also performed as an aria in Gershwin’s opera Blue Monday, which was published posthumously in 1968. The piece has solo performances from the string orchestra and collective performances from the entire quartet. The string quartet musicians harmonise with the soloists yet ‘Lullaby’ remains a soft production.
4. An American in Paris (1928)
After Rhapsody in Blue’s success, Gershwin was asked by Walter Damsroch to write a full concerto. Gershwin wanted to improve his compositional skills so he travelled to Paris where he spent time with illustrious composers like Ravel and Stravinsky. Having been inspired by his time in Paris, Gershwin created this jazz-influenced orchestral piece.
For An American in Paris’s premiere in December 1928 Gershwin used Parisian taxi horns, which he bought during his travels; the horns created an authentic Parisian sound. Regarded as one of Gershwin’s most famed works, it’s difficult to disagree with critics, as the work encapsulates the city of Paris and its sounds, which Gershwin himself described as “developed in typical French style”.
More best of Gershwin
5. 'How Long Has This Been Going On?' (1927)
“How Long Has This Been Going On?” is one of George Gershwin’s more tender, emotional songs. Originally written in 1927, it was cut from its first show but later found its place in other productions. The real magic came when Ella Fitzgerald recorded it, slowing it down and giving it a smoky, soulful feel. With her soft vocals and a simple piano backing, the song transforms into something beautifully bittersweet—showcasing Gershwin’s timeless gift for melody and emotion.
6. 'Summertime' (1934)
'Summertime' is one of George Gershwin’s most iconic and hauntingly beautiful songs. Written for the opera Porgy and Bess in 1935, it blends classical music with blues and jazz influences. The lullaby-like melody is smooth and dreamy, capturing the hazy feel of a Southern summer. Over the years, it’s become a jazz standard, covered by countless artists from Ella Fitzgerald to Janis Joplin—each bringing their own flavor to a song that’s simple, soulful, and unforgettable.
7. 'Promenade (Walking the Dog)' (1937)
'Promenade (Walking the Dog)' is a playful and charming piece composed by Gershwin for the 1937 film Shall We Dance, starring Fred Astaire and Ginger Rogers. Light, breezy, and full of personality, it features a jaunty clarinet melody that perfectly captures the image of a fancy stroll with a pampered pooch. Though short and less dramatic than some of his bigger works, 'Promenade' shows off Gershwin’s wit and knack for blending classical style with jazzy flair. It’s delightful, catchy, and effortlessly cool.
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