COMPOSERS: Casadesus
LABELS: Chandos
ALBUM TITLE: Casadesus
WORKS: Symphony No. 1; Symphony No. 5; Symphony No. 7
PERFORMER: Natasha Jouhl
Alexandra Gibson
Mark Wilde
Michael Druiett
Gateshead Children's Choir
Northern Sinfonia
Howard Shelly
CATALOGUE NO: CHAN 10263
Robert Casadesus is rightly
remembered as a great pianist, preeminent
in Ravel and Mozart, yet his
copious output of original works is
hardly known. This recording of three
of his seven symphonies may redress
the balance a little, though it cannot
be said that it reveals a major master.
Casadesus was not given to pastiche
(unlike his uncle Henri, who fathered
viola concertos on Handel and CPE
Bach), but his works determinedly
evoke an ultra-civilised classicism,
and Symphony No. 5 ‘sur le nom de
Haydn’, in homage to that master, is
inevitably reminiscent of Prokofiev’s
Classical Symphony. Overall the
impression is of attractive, expertly
crafted but lightweight scores, perhaps
written with no greater ambition than
to entertain.
The First Symphony of 1934-5
has echoes of Ibert, Koechlin,
Milhaud and especially Ravel in the
beautifully poised slow movement.
Symphony No. 7 (Isra‘l), Casadesus’s
last work, dedicated to the memory of
George Szell and partly inspired by
the Six-Day War, employs wordless
voices almost throughout: the first
movement is undoubtedly dramatic
but the general effect is more like a
film score than a symphonic
dialectic. Indeed the same comment
could apply to everything here: not
to decry film music, simply to note
that Casadesus generally seems
concerned with immediate pictorial
effect and atmosphere.
That said, one can hardly imagine
these amiable works better presented
than here with, in Howard Shelley,
one distinguished pianist most
sympathetically directing the
compositions of another, in
performances marked by warm,
affectionate playing and very good
sound. Calum MacDonald
Casadesus
Robert Casadesus is rightly
remembered as a great pianist, preeminent
in Ravel and Mozart, yet his
copious output of original works is
hardly known. This recording of three
of his seven symphonies may redress
the balance a little, though it cannot
be said that it reveals a major master.
Casadesus was not given to pastiche
(unlike his uncle Henri, who fathered
viola concertos on Handel and CPE
Bach), but his works determinedly
evoke an ultra-civilised classicism,
and Symphony No. 5 ‘sur le nom de
Our rating
4
Published: January 20, 2012 at 3:54 pm