Jenkins: Works for chamber ensemble

Jenkins: Works for chamber ensemble

Among viol enthusiasts, John Jenkins (1592-1678) towers: prolific, virtuosic and versatile, he skilfully moved from polyphonic to harmonic writing in his mining of the viol’s expressive potential. Since his 400th birthday, top ensembles have shown why his music deserves recognition outside circles of viol amateurs. This recording by the Ensemble Jérôme Hantaï, an offspring of a festival performance, rivals and sometimes outshines earlier interpretations. Whether illuminating Jenkins’s contrapuntal mastery or executing extravagant

Our rating

3

Published: January 20, 2012 at 3:54 pm

COMPOSERS: Jenkins
LABELS: NAIVE
ALBUM TITLE: Jenkins - Fantazia
WORKS: Works for chamber ensemble
PERFORMER: Ensemble Jérome Hantaï
CATALOGUE NO: E 8895

Among viol enthusiasts, John

Jenkins (1592-1678) towers:

prolific, virtuosic and versatile, he

skilfully moved from polyphonic

to harmonic writing in his mining

of the viol’s expressive potential.

Since his 400th birthday, top

ensembles have shown why his

music deserves recognition outside

circles of viol amateurs.

This recording by the Ensemble

Jérôme Hantaï, an offspring of

a festival performance, rivals

and sometimes outshines

earlier interpretations. Whether

illuminating Jenkins’s contrapuntal

mastery or executing extravagant

diminutions, the Ensemble imbues

each phrase with conviction. Its

strengths shine forth particularly

in the ‘Newark Siege’, whose

programmatic aspects elicit a panache

unmatched in other versions. The

problem is that the Ensemble’s

pleasing muscularity and rich

textures largely result from replacing

treble viols with two violins, adding

an organ and enriching the venue’s

acoustic in the studio. Few works on

this disc seem late enough to justify

the violins, and such a beefing-up of consort playing may offend

Jenkins devotees. Purists will prefer

performances of the same pieces by

the Hespèrion XX (also Naïve) or

the Rose Consort (Naxos), who fit

their interpretations around the viol’s

sonorities. But all said, this recording

will at least entice newcomers to

explore Jenkins. Berta Joncus

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