COMPOSERS: RavelGershwin
LABELS: Oehms
ALBUM TITLE: Ravel & Gershwin Piano Concertos
WORKS: Piano Concertos
PERFORMER: Pascal Roge
Vienna RSO, Bertrand de Billy
CATALOGUE NO: OC 601
Pascal RogZ was one of many frontrank
artists left high and dry by
major-label contractual meltdown,
so it is good to see him resurfacing
with the German independent label
Oehms. He recorded the Ravel
Concerto with Charles Dutoit for
Decca in the early 1980s, but this is
a far finer performance. The outer
movements of this piece can sound
flashy and superficial, but not here.
RogZ’s opening movement takes
full advantage of the more reflective
passages, probing delicately Ravel’s
subtle recesses of feeling with gently
lapping rubato. His finale, while
superbly virtuosic, finds sharp
differentiations of touch and tone in
the gathering excitement. The slow
movement isn’t, thank goodness,
too slow (Ravel’s ‘assai’ qualification
to the basic Adagio is crucial), and
has particularly sensitive interplay
between RogZ and the wind soloists.
This is a highly intelligent, richly
enjoyable interpretation: I can’t
recall another I have enjoyed more.
RogZ is again lightning-fast in his
attunement to the Gershwin idiom,
flashing off syncopated passages in
the opening movement, rattling
forth volleys of brilliant repeated
notes in the finale. The razor-sharp
contribution of Bertrand de Billy
and the Vienna Radio Symphony
Orchestra also commands
attention, and overall this
performance is at least the equal of
Previn’s classic EMI version. The
CD sound is good, the SACD layer
revealing a precision and tactility
of impact which significantly
enhances listener involvement.
Terry Blain
RavelGershwin
Pascal RogZ was one of many frontrank
artists left high and dry by
major-label contractual meltdown,
so it is good to see him resurfacing
with the German independent label
Oehms. He recorded the Ravel
Concerto with Charles Dutoit for
Decca in the early 1980s, but this is
a far finer performance. The outer
movements of this piece can sound
flashy and superficial, but not here.
RogZ’s opening movement takes
full advantage of the more reflective
passages, probing delicately Ravel’s
Our rating
5
Published: January 20, 2012 at 3:54 pm