Weber: Clarinet Quintet in B flat; Piano Quartet in B flat; Trio for flute, cello and piano

Weber: Clarinet Quintet in B flat; Piano Quartet in B flat; Trio for flute, cello and piano

Weber’s chamber music – just these three pieces if you don’t count the duos – clearly shows him on the cusp between Classical and Romantic. The Quartet for piano and strings, written in his early twenties between 1807 and 1809, begins with a Haydnesque gracefulness and politeness which is gradually invaded by more unruly harmonies and textures; the dramatic slow movement looks ahead to Schumann, while the closing fugue of the finale dresses 18th-century procedures in 19th-century colours.

Our rating

5

Published: January 20, 2012 at 3:56 pm

COMPOSERS: Weber
LABELS: Hyperion
ALBUM TITLE: Weber Chamber Works
WORKS: Clarinet Quintet in B flat; Piano Quartet in B flat; Trio for flute, cello and piano
PERFORMER: Gaudier Ensemble
CATALOGUE NO: CDA67464

Weber’s chamber music – just these three pieces if you don’t count the duos – clearly shows him on the cusp between Classical and Romantic. The Quartet for piano and strings, written in his early twenties between 1807 and 1809, begins with a Haydnesque gracefulness and politeness which is gradually invaded by more unruly harmonies and textures; the dramatic slow movement looks ahead to Schumann, while the closing fugue of the finale dresses 18th-century procedures in 19th-century colours. Then there’s the element of virtuosity which is a hallmark of the early Romantic era, in the showy piano part of the Quartet, which Weber wrote for himself, the concerto-like clarinet part in the Quintet with strings, designed for the pioneering Heinrich Baermann, and all three parts of the tuneful Trio for flute, cello and piano.

The talented members of the pan-European Gaudier Ensemble are perfectly equipped to convey these different aspects of Weber’s musical personality, with the fleet-fingered pianist Susan Tomes leading the way in the Quartet and Trio, and Richard Hosford in the Clarinet Quintet recalling contemporary descriptions of Baermann’s own effortless brilliance. With a top-quality recording, this is a disc which does full and thoroughly entertaining justice to a still under-rated master. Anthony Burton

This website is owned and published by Our Media Ltd. www.ourmedia.co.uk
© Our Media 2024