The Muses Restor'd (Review)

The Muses Restor'd (Review)

Our rating

5

Published: June 11, 2024 at 8:00 am

The Muses Restor'd (Chamber Choice – July 2024)

Kate Bolton-Porciatti enjoys The Muses Restor'd, Rachel Podger and Brecon Baroque’s congenial take on sparkling early English works...

The Muses Restor’d
Works by Blow, Handel, Locke, Purcell et al
Rachel Podger (violin); Brecon Baroque
Channel Classics CCS46324   80:42 mins 

This is a captivating programme offering proof, if it were needed, that England is far from ‘a land without music’. In a generous album, violinist Rachel Podger and her period ensemble Brecon Baroque journey through 17th-century English consorts to virtuosic solo music from the early Georgian period.

'These are friends who evidently relish the art of musical conversation'

The ensemble is a coterie of some of the finest early musicians on the scene today – friends who evidently relish the art of musical conversation, the guiding ethos of the English consort tradition.

Matthew Locke’s Little Consort ‘for several friends’ encapsulates the essence of this congenial idiom, with its fleeting musical dialogues, light and transparent as sparkling crystals, all eloquently rendered.

Lovely, too, is the discreet give and take between the instrumentalists in Lawes’s Fantasia-Suite No. 8. They weave a more intricate discourse in the A minor Fantasia-Suite by John Jenkins, whose virtuosic passagework prefigures the Baroque style. Indeed, the album makes a chain of interesting connections between genres, styles and periods.

Among the Baroque works are two violin sonatas by Purcell and Handel. Podger and her continuo players capture the pathos and quasi-operatic quality of Purcell’s G minor work and they give a radiant account of Handel’s D major Sonata in which harpsichordist Marcin Świątkiewicz’s inventive realisations shine.

The programme also unveils  less familiar pieces: Johann Schop’s wistful Lachrimae, recalling Dowland’s celebrated ‘Tears’, and a work by the shadowy but brilliant composer Richard Jones, man of the theatre and demon violinist, to whose luscious Chamber Airs in A minor the musicians bring passion and rhetoric. Kate Bolton-Porciatti

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