Pretty Yende: Dreams
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Pretty Yende: Dreams

This new disc from the South African soprano covers similar territory to her previous, prize-winning debut disc. She begins with a nigh-on immaculate account of the waltz song from Gounod’s Roméo et Juliette. To the Mad Scene from Donizetti’s Lucia di Lammermoor (her previous disc included different extracts) she brings a pure and ethereal tone, entering into the character and her poignant situation within a world of her own beyond earthly reality.

Our rating

4

Published: September 6, 2019 at 10:07 am

Dreams Arias by Gounod, Donizetti, Bellini and Meyerbeer Pretty Yende (soprano), Mattia Olivieri (baritone), Carlo Lepore (bass); Chorus and Orchestra Sinfonica di Milano Giuseppe Verdi/Giacomo Sagripanti Sony Classical 88985430152

This new disc from the South African soprano covers similar territory to her previous, prize-winning debut disc. She begins with a nigh-on immaculate account of the waltz song from Gounod’s Roméo et Juliette. To the Mad Scene from Donizetti’s Lucia di Lammermoor (her previous disc included different extracts) she brings a pure and ethereal tone, entering into the character and her poignant situation within a world of her own beyond earthly reality. In the same composer’s Linda di Chamounix aria, Yende is both fleet and light on her feet. In the sequence from Bellini’s La straniera, Yende is at times placed too far back, but once again she engages with the text and drama.

In the Dinorah extract, she provides more context than usual for the so-called Shadow Song by starting with a section of spoken dialogue; but her interpretation, while determined, lacks some of the charm many sopranos have brought to Meyerbeer’s piece.

In the final scene from Bellini’s La sonnambula, Yende’s virtues once again shine out in a finely charted lyrical line.

Read more reviews of the latest Donizetti recordings

Read more reviews of the latest Bellini recordings

George Hall

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