Maximilian Schmitt reviews

Maximilian Schmitt reviews

Haydn: The Creation (Il Giardino Armonico)

Anna Lucia Richter (soprano), et al; Il Giardino Armonico/Giovanni Antonini (Alpha Classics)
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Weber: Der Freischütz

Maximilian Schmitt, Jessica Muirhead, et al; Essen Philharmonic/Tomáš Netopil (Oehms)
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The latest recording of Bach’s St John Passion is the best yet

‘This is a recording that leaves most competitors floundering’
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Beethoven: Leonore

Zurcher Sing-Akademie; Freiburg Baroque Orchestra/René Jacobs, et al (Harmonia Mundi)
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René Jacobs gives a 'bold, innovative and passionate' interpretation of Mozart's Requiem

Bold, innovative and passionate, René Jacobs’s new reading of Mozart’s Requiem towers above the crowd. Pierre-Henri Dutron’s new completion of this famously unfinished score illuminates how Mozart was re-forging his musical language in the year he died to make it tauter and deeper, yet more transparent. So forceful are Mozart’s ideas that they regenerate themselves even in the completion by Franz Xaver Süssmayr, which Dutron adapts to realise more fully Mozart’s new procedures. 

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Mozart: The Magic Flute [DVD]

Freshness of vision, emotional openness, genuine ensemble theatricality, a robustly physical sense of adventure humorous and serious (but never portentous) by turns, and an underlying directorial trust in Mozart’s music: these qualities stay with me most strongly after two viewings of this DVD, among the most rewarding experiences of the opera I’ve had in nearly five decades of Magic Flute encounters.

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