Nancy Argenta reviews

Masaaki Suzuki brings to the St Matthew Passion the same devotional intensity that has characterised his Bach cantata recordings. This focus is immediately evident in the opening chorus/chorale, which he imbues with compelling power despite opting to use relatively small vocal and orchestral forces throughout. It is evident, too, in Bach Collegium Japan’s impeccable performances, which bespeak a score explored in meticulous detail and with profound affection.