Stephan Loges reviews
John Eliot Gardiner conducts JS Bach's St Matthew Passion
It is almost 30 years since John Eliot Gardiner made his first commercial recording of Bach’s Great Passion, as his family were accustomed to call it. Gardiner’s approach has not significantly changed over the decades though one discernible difference is a mixed male and female voice texture for the alto strand of the choral numbers as opposed to the all-male countertenor line up of the earlier version. I prefer the mixed sound though some readers may not.
Bach: St Matthew Passion
Over two decades ago, Joshua Rifkin put theory into practice by recording Bach’s B minor Mass with just one singer to each part. Scholarly arguments over such economical forces have raged ever since, sometimes vitriolically, but McCreesh is the first to hazard them in the St Matthew Passion. The solo narrative is unaffected. Mark Padmore (Evangelist) describes events vividly, respecting Bach’s underlying recitative pulse but varying the dramatic pace freely, from perfunctory description of simple events to high drama – Peter’s weeping, Judas’s suicide.